Hieronymus BoschPage One || 1-37 || 38-73 || |
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Bosch’s
pictures have always fascinated viewers, but in earlier centuries it was
widely assumed that his diabolic scenes were intended merely to amuse or
titillate, most people regarded him as “the inventor of monsters and chimeras’.
Philip II, though, collected his works more for education than for
entertainment. A Dutch art historian in the early 17th century described
Bosch’s paintings chiefly as ‘wondrous and strange fantasies… often less
pleasant than gruesome to look at’. In the 20th century, however, scholars
decided that Bosch’s art has a more profound significance, and there have
been many attempts to explain its origins and meaning. Some writers saw
him as a sort of 15th century surrealist and linked his name with that
of Salvator Dali. For others, Bosch’s art reflects mysterious practices
of the Middle Ages. No matter what explanation and comprehension of his
art might be, Bosch remains the most extravagant painter of his time. Continued...
Hieronymus Bosch at Artprice. To look at auction records, find Bosch's works in upcoming auctions, check price levels and indexes for his works, read his biography and view his signature, access the Artprice database.
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The Tree Man. 1470s. Pen and bistre on paper. Albertina, Vienna, Austria. |
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The Stone Operation. 1475-1480. Oil on panel. Museo del Prado, Madrid, Spain. More. |
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Epiphany. 1480-1490. Oil on panel. Philadelphia
Museum of Art, Philadelphia, PA, USA. More. |
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St. Christopher Carrying the Christ Child. 1480-1490. Oil on panel. Museum Boymans-van Beuningen, Rotterdam, Netherlands. More. |
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Tabletop of the Seven Deadly Sins and the Four
Last Things. 1485. Oil on panel. Museo del Prado, Madrid, Spain. |
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St. John the Evangelist on Patmos. 1485.
Oil on panel. Staatliche Museen zu Berlin, Gemaldegalerie, Berlin, Germany.
More. |
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Scenes from the Passion of Christ and the Pelican with Her Young. Reverse of St. John the Evangelist on Patmos. 1485. Oil on panel. Staatliche Museen zu Berlin, Gemaldegalerie, Berlin, Germany. |
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Ecce Homo. 1485-1490. Oil on panel. Philadelphia Museum of Art, Philadelphia, PA, USA. More. |
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Christ Carrying the Cross. 1485-1490. Oil on panel. Kunsthistorisches Museum, Vienna, Austria. More. |
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Christ Child with a Walking-Frame. Reverse of Christ Carrying the Cross. 1485-1490. Oil on panel. Kunsthistorisches Museum, Vienna, Austria. |
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Haywain (Triptych). 1485-1490. Oil on panel. Museo del Prado, Madrid, Spain. |
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Haywain. 1485-1490. Central panel of the triptych. Oil on panel. Museo del Prado, Madrid, Spain. More. |
| The Haywain Triptych in Monasterio de San Lorenzo, El Escorial, Spain. | |
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Paradise. Left wing. 1485-1490. Oil on panel. Monasterio de San Lorenzo, El Escorial, Spain. |
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Hell. Right wing. 1485-1490. Oil on panel. Monasterio de San Lorenzo, El Escorial, Spain. |
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Haywain. Central panel. 1485-1490. Oil on panel. Monasterio de San Lorenzo, El Escorial, Spain. |
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The Wayfarer. 1500-1502. Outer wings of
the Haywain triptych. Oil on panel. Monasterio de San Lorenzo, El
Escorial, Spain. |
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Ecce Homo. 1490. Oil on panel. Städelsches Kunstinstitut mit Städtischer Galeria, Frankfurt am Main, Germany. More. |
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Death of the Miser. 1490. Oil on panel.
National Gallery of Art, Washington, DC, USA. |
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Christ Carrying the Cross. 1490. Oil on panel. Musée des Beaux-Arts, Ghent, Belgium. More. |
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The Ship of Fools. 1490-1500. Oil on panel.
Louvre, Paris, France. More. |
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Allegory of Gluttony and Lust. 1490-1500. Oil on panel. Yale University Art Gallery, New Haven, CT, USA. |
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St. James the Greater. Left outer wing
of the Last Judgement. 1500s. Grisaille on panel. Akademie der bildenden
Künste, Vienna, Austria. More. |
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St. Bavo. Right outer wing of the Last
Judgement. Grisaille on panel. 1500s. Akademie der bildenden Künste,
Vienna, Austria. More |
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Hell. Right wing of the Last Judgement
triptych. 1500s. Oil on panel. Akademie der bildenden Künste, Vienna,
Austria. |
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Paradise. left wing of the Last Judgement
triptych. 1500s. Oil on panel. Akademie der bildenden Künste, Vienna,
Austria. |
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Last Judgement. Central panel of the triptych.
1500s. Oil on panel. Akademie der bildenden Künste, Vienna, Austria.
More. |
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Terrestrial Paradise. 1500s. Oil on panel.
Palazzo Ducale, Venice, Italy. |
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Ascent of the Blessed. 1500s. Oil on panel.
Palazzo Ducale, Venice, Italy. |
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Hell. 1500s. Oil on panel. Palazzo Ducale,
Venice, Italy. |
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Fall of the Damned. 1500s. Oil on panel.
Palazzo Ducale, Venice, Italy. |
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Christ Crowned with Thorns. 1500s. Oil
on panel. Monasterio de San Lorenzo, El Escorial, Spain. More. |
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The Conjuror. 1500s. Oil on panel. Musée
Municipal, Saint-Germain-en Laye, France. |
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Christ Crowned with Thorns. 1500s. Oil
on panel. National Gallery, London, UK. More. |
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St. Jerome at Prayer. 1500s. Oil on panel. Musée des Beaux-Arts, Ghent, Belgium. More. |
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The House of Ill Fame. 1500s. Oil on panel.
Museum Boymans-van Beuningen, Rotterdam, Netherlands. |
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The House of Ill Fame (detail). 1500s. Oil on panel. Museum Boymans-van Beuningen, Rotterdam, Netherlands. |
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Temptation of St. Anthony. 1500s. Oil on
panel. Museo del Prado, Madrid, Spain. More. |
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